Bangkok
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Bangkok - Caren Weiner Campbell
BANGKOK
Caren Weiner Campbell - Klaus H. Carl
Publishing Director: Jean-Paul Manzo
Text: Caren Weiner-Campbell
Design and layout: Newton Harris Design Partnership
Cover and jacket: Cédric Pontes
Publishing assistant: Aurélia Hardy
Photograph credits: Klaus H. Carl, The Thai Tourist Office
© 2024, Confidential Concepts, Worldwide, USA
© 2024, Parkstone Press USA, New York
© Image-Bar www.image-bar.com
All rights reserved. No part of this may be reproduced or adapted without the permission of the copyright holder, throughout the world.
Unless otherwise specified, copyright on the works reproduced lies with the respective photographers. Despite intensive research, it has not always been possible to establish copyright ownership. Where this is the case, we would appreciate notification.
ISBN: 979-8-89405-032-4
Contents
City of Angels
The Grand Palace and Environs
The Wats of Central Bangkok
Thon Buri and its Waterways
The Dusit
A Mosaic of Ethnicities
Thai Life
Modern Bangkok
List of pictures
City of Angels
Friendly yet elusive, up-to-date yet quaint, Bangkok is a city of confounding contradictions. Its relentless 21st-century modernity, manifested in traffic snarls and industrial-strength pollution, manages to coexist with Buddhist temples and flower-festooned spirit houses that serve as quiet reminders of spiritual tranquility. High-decibel motorized water taxis share the Chao Phraya with ornate, intricately carved royal barges. Thais blend music with their boxing and turn kite-flying into a battle. The government indulges the anything-goes carnality of the Patpong red-light district – and yet bans the movie The King and I for its irreverence to the monarchy.
For these reasons and many more, Bangkok has consistently piqued, charmed, and mystified visitors. Indeed, as the capital of a country never colonized by a European power (the name Thailand,
in fact, translates to Land of the Free
), it has held a special mystique for Westerners. Among the European sojourners who have tried to capture the city’s allure was novelist Joseph Conrad. Here and there in the distance,
he wrote in the 1880s, above the crowded mob of low, brown roof ridges, tower great piles of masonry, giant palaces, temples, gorgeous and dilapidated, crumbling under the vertical sunlight, tremendous, overpowering, almost palpable.
More puckishly, American humorist S. J. Perelman noted in the middle of the 20th century that Bangkok seems to combine the Hannibal, Missouri, of Mark Twain’s boyhood with Beverly Hills, the Low Countries and Chinatown.
And latter-day travel writer Pico Iyer has called the Thai metropolis every Westerner’s synthetic, five-star version of what the Orient should be: all the exoticism of the East served up amidst all the conveniences of the West.
1. A weather beaten barge floats down the Chao Phraya, passing the Grand Palace.
2. This ornate doorway marks the entrance to a minor Bangkok wat – one of some 400 throughout the city.
3. Thai artistry is expressed in this temple’s mural and the musical instrument just in front of it.
It’s rather fitting that so many outsiders have struggled to divine and define Bangkok’s true nature. After all, foreigners don’t even call the city by its real name. Thais refer to their capital – home to roughly 15 percent of the country’s population – as Krung Thep (City of Angels
), a shortened version of its true, 175-letter name, which translates to "Great city