Little Fish
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About this ebook
Little Fish, Lorrie Goldensohn’s first collection of new poems since The Tether in 1983, consists mainly of elegies, poems of loss and retrieval, many plunging into family history and friendships cultivated over decades in rural Vermont and in cities from Berkeley to London. A number of poems reflect Goldensohn’s training as a literary critic, and her engagement with the power that other art forms possess to shape, enlarge, and give their momentary luminosity to the vanishing fictions of our own lives. Little Fish concludes with a sequence dedicated to her late husband, the poet Barry Goldensohn.
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Little Fish - Lorrie Goldensohn
LITTLE FISH
LORRIE GOLDENSOHN
FomiteBarry Nathan Goldensohn
1937-2023
CONTENTS
I
Little Fish
Man in a Red Canoe
Hermit Thrush
Elmore
Wedding in a Field
Nimitz Trail
Three’s Company
Lament For The Makaris
Usufruct
Booklife
Talking Books, circa 1985
II
Lunch Time Quartet
East Long Pond Vt 05467 Calling Enfield EN20QT
I Lay
For Alice
Pee Pot & Sour Milk
Women Say This, That
Blood
Wedding Dress
Native Speech
Portrait
My Mother’s Face in Rapid City, SD
III
Our Father Abraham
Calculus of Death
Dirt Dust Dinginess and Contamination
Animals, Too
White Magnolia
Hollis Frampton, Film-Maker
The Afterlife
The Works
Timor Mortis
IV
The Swimmer
About the Author
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More poetry from Fomite...
I
LITTLE FISH
Even this upland lake might flood—
the shoreline hemlock
erect under clear water so many feet down.
Their fern-like tips waiting to tickle
the feet of the divers who will come later, after we
who once lived here, no longer
grope for the blocked water line or the lost
sunglasses slipped from the dock:
fog loosening our brains as the decades
continue their heap heap heap upon us.
I have finished knitting a perfectly brilliant sock.
Although the local winter has been kind,
the weather continues uncertain upon our return.
We went away. Came back. A feeling
wriggles to consciousness, its
contours spilling across—what
is the word for it?
Lost. Never mind. The point
is the crackle of joy, little fish
breaking from its flap of lake water.
MAN IN A RED CANOE
He sits there in the red canoe
the sun splashing him with a thick
glaze of yellow
his fists raise the paddle
to dip again, again
transparent drops
fall from the paddle
while below the distant tree line
the spread water
inverts and repeats
every bit of the loved geometry
Somewhere at his feet
the rod is ready; trout
leap after the rising flies
An Arab proverb tells me
Allah does not subtract
from a lifetime
the days that a man
spends fishing. This man.
HERMIT THRUSH
Plick: plick, then plick. I hear
you turn the pages in the other
lamplit room. After the loon
has ceased his whinny, its echo
growing over water, you
cannot imagine our companionable
silence. Strung between us
on the rope of today’s hours
in which I heard the steady
whack of the hammer on the screen door,
fixing the loose hang that nagged us
season after season. And then
steps going out to the dock,
after which you called me
to come and hear the hermit thrush—
who hides in deep woods
although we hear the damp
pearling of his gift song at dusk,
when the air vibrates
with the drill and sting of insects.
Moths strike the glass or screen—
their bodies flaming out for me
in my larger light. We know
how long the moths get to live,
in pitiless ratio to their size—but
what about the hermit thrush?
Opaque in his dressing of leaves
and feathers. Tiny lice
smaller than he may cling to him.
ELMORE
Elmore Leonard says
if it sounds like writing take it out.
How can he not know
some of my best