In Th Azure Room Ov Th Peacock Palace
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About this ebook
In Th Azure Room Ov Th Peacock Palace was first published by Syllable/Fillia Press in 1987 and catalogued in the National Library of Australia, being issued ISBN 0 9589541 1 9. The work was copyrighted to "rob. finlayson (except for non-profit libertarian purposes)", one of the many pseudonyms of R. Frederick Finlayson. The delightfuol cover design, which is poorly reproduced in this digital edition, was by Jurate Sasnaitis, who was also the publisher of Syllable/Fillia Press. Publication at the time was assisted financially by the Victorian Ministry for the Arts. The work was a distillation of pieces produced during several years of feverish output during the author's twenties and should be a fascinating historical document for those with an interest in late-capitalist cultural phenomena in the Angloworld; others would be best served by finding something else to read. The length is around 5000 words.
R Frederick Finlayson
R Frederick Finlayson lives on a mountain near a forest.
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In Th Azure Room Ov Th Peacock Palace - R Frederick Finlayson
i have decided to write a book. it is necessary to do this because i can no longer speak. and i am dying. i am shreds that twist together into a form as th wind drags them then scatter apart. i know this isnt new. so. th wind isnt new.
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i have lost my voice my ability to name. every name transmutes in my throat and becomes unintelligible to my self and to th personor thing to which it is given. i am forgetting vast plains of light th names of people my own name. th book ovvoice is looking for a voice for itself. i turn to th externalisation ov self at its first step beyond th body th written word. i turn right round and wonder at this beginning.
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i can say that history is an octagenarian lord stumbling to his knees. if i am th gangrene and kill th host... if i am the earth refusing to be scarified i will soon give ov my own wish and simply swallow him in another pocket ov soil in every land and at th base of every sea and as th whole i he will be part
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every beginning is th middle or end ov other beginnings ipso facto how do i say that i lost my voice. when. and where. and how. and how ‘lost’. by attempting to describe here at what is for convenience called th beginning shall i not be describing nothing like what occured. and is occuring. i may as well start in th middle or at th end or before th beginning in other tales and