Applause
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About this ebook
Carol Muske-Dukes
Carol Muske-Dukes is the author of eight books of poems, four novels, and two essay collections, and is an editor of two anthologies, including Crossing State Lines: An American Renga, which she coedited with Bob Holman. Many of her books have been New York Times Notable selections. Muske-Dukes is a professor of English and creative writing at the University of Southern California, where she founded the PhD program in creative writing and literature, and she recently fulfilled her appointment as poet laureate of California, appointed by the governor’s office. Her poetry collection Sparrow was a National Book Award finalist and she is a six-time Pushcart Prize winner. She writes for the New York Times Book Review and the New York Times op-ed page, the Los Angeles Times, the Huffington Post, and the New Yorker’s Page-Turner blog. Her poems have been published and anthologized widely, including in several editions of Best American Poetry. Muske-Dukes has been the recipient of a Guggenheim Fellowship, a National Endowment for the Arts grant, a Library of Congress award, Barnes & Noble’s Writer for Writers Award, and many other honors. She lives in Southern California and New York.
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Applause - Carol Muske-Dukes
Dream
It’s my old apartment, Gramercy Park,
but then it’s not. I know the three steps up,
the squeaking door, the foyer table
stacked with mail, I know the light falling
like jail bars on the tiles, my numbered door.
But when I turn the key, there’s a disco,
strobes, my dead landlord serving drinks.
Or it’s a skating rink, a nook at the Frick.
Today I woke from sorting something in my head—
a box of old mittens or scarves,
snowflake patterns, shooting stars.
Here I have a poster on my wall:
the sun in shades, a turtleneck of smog.
It isn’t just a dropped stitch,
my memory’s actively unfurnishing that flat—
why, I haven’t a clue. But one, perhaps.
The time I stood, locked out,
on the snowy fire escape, looking through
the glass at my life: lamps, books.
coffee table, each self-contained photograph.
New York at dawn, my flame silk dress
feel improvised now—it was that interior
I’d fix in my sight forever,
climb down the icy rungs and not come back.
Freezing wind out there, stocking feet,
my dress filling like a bell—
then a newer, dizzying grip on things,
this sudden hungry wish for riddance,
to turn my back on space I’d made,
with the pathetic charm of the possessive,
mine and uninhabitable.
Summer Cold
By day, she’s not so sick. She hits
the hound, then kisses him: nice dog.
He cringes, then his wolfish face lights up.
To me, she does the same. At two, her love
of power’s in two parts: love and power.
Late at night, I hold her to my breast—
the wet indent her fevered head makes
stays pressed against my gown. She doesn’t
have to ask, I wake with her. I hold
the mercury up to the light and read
its red suspense, the little trapped horizon
of her heat. Her slowed lungs draw
and empty. Below, on the lawn,
a hunched figure—dawn?—rakes the black
grass light, turns into a set of swings,
I hold her sleeping weight and rock
till something in the east throbs up.
Day, offering itself, then drawing back.
Day, commuting from a city remote as hell,
or health, where I remember living once,
for myself. Long before this little bird
filled its throat outside the beveled glass,
before the headlines stumbled on the step.
The Wish Foundation
O holy talk show host,
who daily gives