Hill Daughter: New and Selected Poems
By Louise McNeill and Maggie Anderson
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About this ebook
Musically complex and intellectually sophisticated, Louise McNeills imagery and rhythms have their deepest sources in the West Virginia mountains where she was born in 1911 on a farm that has been in her family for nine generations. These are rooted poems, passionately concerned with stewardship of the land and with the various destructions of land and people that often come masked as progress.
In colloquial, rural, and sometimes macabre imagery, Louise McNeill documents the effects of the change from a farm to an industrial economy on the West Virginia mountain people. She writes of the earliest white settlements on the western side of the Alleghenies and of the people who remained there through the coming of the roads, the timber and coal industries, and the several wars of this century.
The reappearance of Louise McNeills long out-of-print poems will be cause for celebration for readers familiar with her work. Those reading it for the first time will discover musical, serious, idiosyncratic, and startling poems that define the Appalachian experience.
Louise McNeill
Galvano Della Volpe was born in 1895. From Logica come scienza positiva in 1950 his work had increasing influence, and the publication of Rousseau e Marx in 1960 confirmed the importance of his thought within Italian Marxism. Della Volpe died in 1968.
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Book preview
Hill Daughter - Louise McNeill
Hill Daughter
New & Selected Poems
Louise McNeill
Edited and with an Introduction by Maggie Anderson
University of Pittsburgh Press
Published by the University of Pittsburgh Press, Pittsburgh, Pa. 15260
Copyright © 1991, Louise McNeill
Introduction and Editor's Note copyright © 1991, Maggie Anderson
All rights reserved
Eurospan, London
Manufactured in the United States of America
Printed on acid-free paper
Second printing, 1992
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
McNeill, Louise.
Hill daughter : new and selected poems / Louise McNeill ; edited and with an introduction by Maggie Anderson.
p. cm.
Includes bibliographical references.
ISBN 0-8229-3685-2.—ISBN 0-8229-5456-7 (pbk.)
1. Mountain life—West Virginia—Poetry. I. Anderson, Maggie.
II. Title.
PS3525.A283H55 1991
811'.52—dc20
91-8429
CIP
A CIP catalogue record for this book is available from the British Library.
Poems from Elderberry Flood are reprinted by permission of Elderberry Books. Poems from Time Is Our House are reprinted by permission of Middlebury College.
Thirty-seven poems from Paradox Hill are published by permission of the West Virginia University Press. Copyright 1972 by the West Virginia University Foundation and the WVU Press on behalf of the West Virginia University Libraries. All rights reserved.
ISBN-13: 978-0-8229-8069-8 (electronic)
To my husband, Roger Pease (1898–1990)
Rog and I were married for fifty-one years. His hand and sometimes his red pencil had touched the pages of several of the books from which the poems in Hill Daughter were selected. He knew, also, my old box of scraps. Some of these dusty lyrics had been lying in the box for fifty years. But in the midsummer of 1990 Maggie and I dug them out and picked representative poems to add to Hill Daughter. The poems in Hill Daughter cover sixty years of my writing (1931–1991).
L. McN.
If somewhere in the cooling rocks
Of cosmic seas, of cosmic dunes,
You find this thing of paradox
And can decipher out the runes
Upon these pages edged with scorch,
Forgive their tinges of the fire;
I flung them like a riven torch
Above the rupture of the pyre;
They billowed in a greenish blast;
And, with them, belling far away,
I heard the hound dogs of the past
Upon the burning mountains bay.
Paradox Hill
Contents
Introduction
Editor's Note
Hill Daughter
Memoria
Warning
Blizzard
Snow Angels
American Boating Song (1939)
Mayapple Hill
Poet
The Dream
Lullaby
Aubade to Fear (Heavy with Child)
Second Sight (My Son's First Springtime)
Hill Daughter
Wire Brier
Fox and Geese
Hill Song
Faldang
Fiddler (1976)
Mountain Corn Song
Moonshiner
Wire Brier
Involved (The Spider)
Overheard on a Bus (Woman with a Cleft Palate)
Chestnut Orchard
First Flight
Lost in Orbit
How to Unbewitch a Backtracking Hound
Ballad of Joe Bittner
Stories at Evening (A Suburban Mother Tells Stories to Her Son)
Ballad of Miss Sally
Ballad of the Rest Home
West Virginia
Garden Moment
Coal Fern
Ballad of New River
Gauley Mountain
Arrow Grasses by Greenbrier River
Gabriel MacElmain, Pioneer
The Clearing
The Flame
Cornelius Verner
Katchie Verner's Harvest
Oil Field
Lydia Verner
The Son
Pioneer Lullaby
Granny Saunders
Granny's Story
Martha MacElmain
Jane Renick MacElmain (1)
Jane Renick MacElmain (2)
Donna MacElmain
Susan O'Kane
Nora O'Kane
Tillie Sage (1)
Tillie Sage (2)
Tillie Sage (3)
Jed Kane
Sol Brady
The Turnpike
Traveler and Old Sorrel
Burying Field
The River
The Horsemen
Corner Tree
The Autumn Drives (Early 1800s)
The Horsemen
Timber Boom
Log Drive
Saturday Night (1890–1910)
First Train (1895)
The Spark
Deserted Lumber Yard
Reforestation
Saturday Night (1930s)
Stoic (Circa 1907)
The Company (Coal Miner)
Best House They Was Ever In (Retired Coal Operator)
Monongah (December 6, 1907, Marion County, West Virginia, on the Monongahela River)
Overheard on a Bus (Miner's Wife)
Winter Day (Coal Country)
The Hard Road
The Roads
The Great Depression
Depression Wind (Winter 1930)
Pasture Line Fence
Threnody for Old Orchards
The Grave Creek Inscribed Stone
The Runaway Team (Written a Few Days After John Glenn's Space Flight)
Time Is Our House
Time Is Our House
Cassandra
The New Corbies
After the Blast
Potherbs (Of the Edible Wild Plants My Granny Taught Me)
Of Fitness to Survive
Life-force
The Cave
Light
When the Scientists Told Me of the Expanding Universe
To the Boys in Freshman History (Thermopylae, 480 B.C.)
The Hounds
Epitaph in the Imperative Mode
The Passage of Time
The Verb
Wife
Backward Flight
Over the Mountain
Author's Notes
Bibliography
Introduction
Maggie Anderson
LOUISE NCNEILL was the first poet I heard give a poetry reading. In 1964, I was sixteen years old and McNeill came to read at the junior college in Keyser, West Virginia, where I lived. I had read very little poetry and, except for the few poems by Emily Dickinson in my school anthology, I had read no poems by women. I knew nothing about the literature of my region and so, although I had decided by that time that I wanted to be a poet, it would never have occurred to me to write about my place, about West Virginia, or about anything that I really knew and believed. When I first heard Louise McNeill read her poems, I felt the strength of affirmation for what I did not even know I had been denied.
Of that evening, I remember most clearly McNeill's stature. I thought she was, possibly, the tallest woman I had ever seen, though perhaps the resonance of her voice made her seem taller than she really was. I remember she wore a blue dress, and a hat, and when she stood to read, she walked out from behind the lectern and did not read, but recited, the title poem of this collection, Hill Daughter.
Her voice was strong and musical, and she had an unmistakable mountain accent, deep and nasal, twanging at the heart:
Land of my fathers and blood, oh my fathers, whatever
Is left of your