Comma Sense: A Fun-damental Guide to Punctuation
By Richard Lederer and John Shore
3.5/5
()
About this ebook
Are you confounded by commas, addled by apostrophes, or queasy about quotation marks? Do you believe a bracket is just a support for a wall shelf, a dash is something you make for the bathroom, and a colon and semicolon are large and small intestines? If so, language humorists Richard Lederer and John Shore (with the sprightly aid of illustrator Jim McLean), have written the perfect book to help make your written words perfectly precise and punctuationally profound.
Don't expect Comma Sense to be a dry, academic tome. On the contrary, the authors show how each mark of punctuation—no matter how seemingly arcane—can be effortlessly associated with a great American icon: the underrated yet powerful period with Seabiscuit; the jazzy semicolon with Duke Ellington; even the rebel apostrophe with famed outlaw Jesse James. But this book is way more than a flight of whimsy. When you've finished Comma Sense, you'll not only have mastered everything you need to know about punctuation through Lederer and Shore's simple, clear, and right-on-the-mark rules, you'll have had fun doing so. When you're done laughing and learning, you'll be a veritable punctuation whiz, ready to make your marks accurately, sensitively, and effectively.
Richard Lederer
Richard Lederer is the author of more than 30 books about language, history, and humor, including his best-selling Anguished English series and his current book, Presidential Trivia. He has been profiled in magazines as diverse as The New Yorker, People, and the National Enquirer and frequently appears on radio as a commentator on language. Dr. Lederer's syndicated column, "Looking at Language," appears in newspapers and magazines throughout the United States. He has been named International Punster of the Year and Toastmasters International's Golden Gavel winner.
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Reviews for Comma Sense
15 ratings1 review
- Rating: 3 out of 5 stars3/5Short and sweet. Makes it very clear it's about US punctuation, which is helpful. Some of the explanations are very short, so a reader might need to consult a more in-depth guide as well.
Book preview
Comma Sense - Richard Lederer
INTRODUCTION
ON YOUR MARKS!
One of life’s great oddities is how it’s filled with things that don’t seem as if they belong together, yet are inextricably joined. Weddings, for instance, and clothes you can barely breathe in. Neckties and having a job. King Kong and Fay Wray. Airplanes and air. Sweet deliciousness and cavities. Bovine flatulence and ozone depletion. Lamb and mint jelly. Koala bears and weirdly humongous claws. Banana slugs and a rational universe. Menopause and a rational universe. Bill Gates and the future of the universe.
Foremost among things in the world that shouldn’t go together but do are Understanding Punctuation and Accruing Personal Power. But it’s as true as true gets: If you don’t understand punctuation, you can’t write right. And if you can’t write right, you can’t positively influence so much of what’s critical to your life.
It’s a fact: Good punctuation makes for a good life.
Sure, it seems unfair. But so do lots of things. Parking meters, for instance, seem very unfair. But you can rail against them until Lovely Rita the Meter Maid finally calls for backup—and you’ll still end up with a ticket every time you forget to leave the house without a roll of quarters.
Like it or not, writing well—not artistically, not ornately, not floridly, but just competently—really is the difference between being largely able to define your own life and having much of your life defined for you. Writing is, in a word, power. And trying to write a Post-it note—much less anything of any substance—without understanding punctuation is like trying to build a house without nails: It’ll look awful, and no one will want to come near it.
Think it’s going too far to say that punctuation is the difference between control and chaos, between justice and injustice, between true inner peace and false outer agony? Think that sounds a tad dramatic? Really? Have you ever had the paint on your new car start peeling off in huge flakes? Ever had a rabid boss ruin your life? Ever yearned for someone of the opposite sex to fall heels over head in love with you?
You see the point: If you want to impress that special gal or fella, use your blotchy new car to run over your rabid boss.
No, the real point is: Knowing how to write clear, succinct, and, if need be, charming letters, notes, and e-mails is one extremely dependable way to persuade people to start thinking about matters in precisely the way you would prefer them to.
It’s how you get your car repainted for free. It’s how you (eventually) get your loser boss fired. It’s how you get that gal or fella to lie awake nights wondering why they never learned how to punctuate, so that they could scribe communiques as enticing as yours.
Just look at the difference between these two love notes:
My Dear Pat,
The dinner we shared the other night—it was absolutely lovely! Not in my wildest dreams could I ever imagine anyone as perfect as you are. Could you—if only for a moment—think of our being together forever? What a cruel joke to have you come into my life only to leave again; it would be heaven denied. The possibility of seeing you again makes me giddy with joy. I face the time we are apart with great sadness.
John
p.s. I would like to tell you that I love you. I can’t stop thinking that you are one of the prettiest women on earth.
My Dear,
Pat the dinner we shared the other night. It was absolutely lovely—not! In my wildest dreams, could I ever imagine anyone? As perfect as you are, could you—if only for a moment—think? Of our being together forever: what a cruel joke! To have you come into my life only to leave again: it would be heaven! Denied the possibility of seeing you again makes me giddy. With joy I face the time we are apart.
With great sadness,
John
p.s. I would like to tell you that I love you. I can’t. Stop thinking that you are one of the prettiest women on earth.
You see the difference punctuation makes? The first letter is a clear (albeit clunky) profession of undying affection; the second is sure to sweep Pat onto her feet. The only thing separating one document from the other is, of course, punctuation.
Never forget: Punctuation can mean the difference between a second date and a restraining order.
The problem with punctuation is threefold: Its rules are seemingly arbitrary; it’s boring; and no one knows how to do it. But these three objections to punctuation combined pale in magnitude next to the single Great Truth about it: If you fail to master punctuation, your life will be littered with the shards of broken dreams. Or, less melodramatically, your life will be littered with the shards of broken beer bottles, the contents of which you have drunk to avoid thinking about your dead-end job.
As a step toward your not ever having to step on those broken beer bottles, let us consider the reasonable reasons for which, we know, you might have already put this book down, and moved on to something that doesn’t involve a potential brain sprain.
The rules of punctuation seem arbitrary. How can they not, when an apostrophe looks like nothing in this world so much as a comma that can’t keep its feet on the ground? Or when, by simply placing next to that wafting comma its twin, one creates (of all things) a quotation mark? And who—oh, who?—can figure out what’s supposed to happen when it’s time to use a comma within—or is it outside?—a quotation mark? The prospect of trying to wrangle the two in order impels most of us to pick up the phone immediately and call the person we were thinking of writing.
Sometimes single quotation marks are correct. Sometimes the standard double does the trick. Sometimes both are in order. (And sometimes—for we might as well say now what we’ll certainly be hollering later—quotation marks are an absolute crime against humanity.)
A semicolon is like a comma—only different. A semicolon is also like a colon—only it’s actually less like a colon than it is like a comma. (A semicomma, we should note, doesn’t exist; we just made the word up. But it sounds like a punctuation mark that should exist, doesn’t it?)
Periods are used in abbreviations. They also, of course, mark the end of a sentence. But if a sentence ends with an abbreviation, what then?
Hyphens transform two words into (sort of) one word. In that sense they help make words more user-friendly. Or is it user friendly?
Adding an apostrophe and s makes a singular noun possessive: The dog becomes the dog’s. But what if the noun already ends in s—or, worse, what if it’s a plural noun that ends in s?
Kids menu? Kid’s menu? Kids’ menu? Kids’s menu?
Before we all run amok, let us now state that the rules for punctuation only seem arbitrary. Rest assured that they are not. Everything in the universe must obey certain specific rules, and punctuation is no different. We