“As a descendent of Chantal Akerman and Unica Zürn—among others—Yanara Friedland reimagines the origin myth. Friedland’s permeable pages allow the reader entryway into a ‘mirror [that] becomes an open door,’ a door through which we hear the echo of Ana Mendieta telling us ‘There is no original past to redeem: there is the void.’ Uncountry […]
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