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Music History Monday: Benjamin Britten War Requiem

Music History Monday: Benjamin Britten War Requiem

FromMusic History Monday


Music History Monday: Benjamin Britten War Requiem

FromMusic History Monday

ratings:
Length:
19 minutes
Released:
May 30, 2022
Format:
Podcast episode

Description

We mark the premiere performance on May 30, 1962 – 60 years ago today – of Benjamin Britten’s War Requiem.  Completed in early 1962, the War Requiem was commissioned to mark the consecration of the “new” Coventry Cathedral, which was built to replace the original fourteenth century cathedral that had been destroyed on the evening and night of November 14 and 15, 1940. Today’s post will deal entirely with the events that led up to the composition of Britten’s War Requiem: the destruction of Coventry’s Cathedral of St. Michael, the extraordinary spirit of forgiveness and redemption that came to be identified with its ruins, and the New Cathedral that was built between 1956 and 1962.  We cannot appreciate the meaning and spirit of Britten’s War Requiem unless we first come to grips with the meaning and spirit of the destruction and rebirth of Coventry Cathedral.  Tomorrow’s Dr. Bob Prescribes post will get into the specifics of the Requiem itself, along with a recommended recording of the piece. Coventry and its Cathedral Coventry is a city in the West Midlands of England, 95 miles north-west of London.  Founded by the Romans, by the fourteenth century Coventry had become a major center […]
The post Music History Monday: Benjamin Britten War Requiem first appeared on Robert Greenberg.
Released:
May 30, 2022
Format:
Podcast episode

Titles in the series (100)

Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.