What important lessons can we learn from the current WGA strike? Is there a possibility that writers can make deals with individual studios versus the AMPTP? How do you maintain morale and set the tone for each day on set? 

In today’s episode, No Film School’s Charles Haine, GG Hawkins, and Jason Hellerman discuss:

Why trying to split up your opponents is a good strategy

How low stock numbers may incentivize executives to end the strike

Why trying to split up your opponents is a good strategy

Getting sufficient sleep and having good food on set

Taking time off and planning non-film related activities 

Why you need to invest in hiring a fixer during production

The best way to set the tone for each day of shooting 

Our experiences working on a quiet set

How to handle the hard days on set



Memorable Quotes

“Experienced negotiators like to negotiate on as many terms as possible and try to exhaust their opponents.” [6:27]

“When we start to shoot that scene, it should become a quiet set by accident.” [32:22]

“The nice thing about set is that it never feels like you are alone trying to solve anything.” [38:14]

“Don’t overcommit to what you put on the page.” [42:36]



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