How do we deal with losing someone we love? Is it even possible to move on? These questions are explored in Handling the Undead, a film that meditates on topics such as grief and loss and the impossible wish of wanting the past to become the present. Handling the Undead, which is based on the best-selling Norwegian novel of the same name, premiered at the 2024 Sundance Film Festival.

In today’s episode, No Film School’s GG Hawkins, speaks with Director Thea Hvistendahl to discuss:

Thea’s feelings and thoughts post-premiere

Having the sound and images tell the story as opposed to dialogue

Her approach to directing and staging actors 

Using a mix of real people, prosthetics, VFX, and dolls

Finding the balance between looking dead but not like zombies

The challenges in shooting the final scene

How Thea became a filmmaker

Financing the feature and shooting in multiple countries

Getting the balance right between the different stories within the film 

Feeling anxious during the screening process

Trusting her gut feelings in the editing process

Having a much needed celebration when the film was finally finished




Memorable Quotes

“For the human brain, it’s more unsettling the more realistic it is… I wanted it to be as realistic as possible.” [16:15]

“The finale was the hardest part to solve, but it worked in the end.” [20:21]

“It really pains me to do stuff that doesn’t feel right, but sometimes I try it.” [27:29]

“It dragged out a very long time, so it wasn’t like a cathartic moment…It was a very slow finishing process.” [30:07]

“It’s always better to make something…rather than wait and hold back.” [31:16]



Mentioned:
Handling the Undead 


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