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Corrina Antrobus: The Feminist Reframing of Rom-Coms

Corrina Antrobus: The Feminist Reframing of Rom-Coms

FromOpen To Criticism


Corrina Antrobus: The Feminist Reframing of Rom-Coms

FromOpen To Criticism

ratings:
Length:
37 minutes
Released:
May 3, 2024
Format:
Podcast episode

Description

The much maligned Rom-Com is a perfect example of how a whole film genre can be dismissed by dint of who the stories are for, and who they are about. (Clue: it's not men!). After a classy start in Hollywood, Rom Coms - and their sister genre 'Chick Flicks" - have been used to dismiss a particular type of love story, and anyone who's dared to enjoy them. And so the Guilty Pleasure was born. Thankfully times are changing, and there's a realisation that many films that have been overlooked - at best! - might be worth revisiting in our more enlightened times. Step up this week's guest, critic Corrina Antrobus, who's new book, a 'manifesto in 100 films' entitled "I Love Rom-Coms and I am a Feminist", is released in August. We discuss how lighthearted love stories haven't been given their due over the years and how that's not unrelated to who makes and watches them. And how the genre has only recently begun to recognise love beyond the white heterosexual gaze. Corrina shares her insights from rewatching films spanning 100 years of cinema and together we celebrate a genre which - unlike all others - has a long and strong history of female filmmakers. To preorder Corrina's book, click here: https://geni.us/ILoveRomcoms Hosted on Acast. See acast.com/privacy for more information.
Released:
May 3, 2024
Format:
Podcast episode

Titles in the series (23)

If you ever watch films or read film reviews this podcast is for you. Because what you get to see onscreen is directly impacted by what critics value and promote. Film critic Wendy Lloyd investigates how we talk about movies, who gets to do it and why it matters with fellow critics and social commentators. #MeToo, BLM and Times Up mean we're finally seeing improved diversity in film - from the stories being told to onscreen representation. But significant power imbalances remain - as highlighted each year during Awards season. So how might film criticism understand its own role in these inequalities and better serve ALL film fans? Because whilst historically marginalised voices are now coming through in criticism, significant inequalities remain - including who gets the top critic jobs and which stories - and therefore films - are valued most. Join me in this series of thought provoking and lively conversations, that builds on research on inequalities in criticism I carried out for my Masters degree. Hosted on Acast. See acast.com/privacy for more information.