In the history of violin making Maggini is a must. I speak to two violin experts Florian Leonhard and Benjamin Hebbert about Giovannin Paolo Maggini. Maggini's Brescian style of making violins was very distinctive and an incredible amount of copies of this luthiers work has been copied in the intervening 400 years, the two violin makers I am talking to will shed light on why and how this came about and we will give you some tips on how to recognise a Maggini instrument and make one yourself....perhaps. 
 
Transcript
  Hello and welcome to the Violin Chronicles, a podcast in which I, Linda Lespets, will attempt to bring to life the story surrounding famous, infamous, or just not very well known, but interesting violin makers of history.  I'm a violin maker and restorer. I graduated from the French Violin Making School some years ago now, and I currently live and work in Sydney with my husband Antoine, who is also a violin maker and graduate of the French school, l'Ecole Nationale de Luthierie, Mircourt. As well as being a luthier, I've always been intrigued with the history of instruments I work with, and in particular, the lives of those who made them.  So often, when we look back at history, I know that I have a tendency to look at just one aspect. But here, my aim is to join up the puzzle pieces and have a look at an altogether fascinating picture. So join me as I wade through tales not only of fame, famine, and war, but also of love. Artistic genius. Revolutionary craftsmanship, determination, cunning and bravery that all have their part to play in the history of the violin.
Welcome back to the story of Giovanni Paolo Maggini. In the first episode about this maker, I have briefly covered his life story. We don't know all that much about this maker during his lifetime, but his influence and style is definitely long lived. And the sheer number of copies of his instruments that have been made in the intervening 400 years is simply staggering. And so in this episode, I will be talking to two experts about why and how Maggini instruments were and are such hot stuff.
To begin with, In these conversations, the mention of the Hills book comes up quite a lot. Let me quickly explain why.  W. E. Hills and Sons, if you don't know, was one of the great English violin workshops in London, only to be rivalled by J& A Beares. A bit like what Batman is to Superman. Big players.  Did you, did you know, by the way, that Bruce Wayne, Batman's alter ego, is actually the owner of the Daily Planet newspaper, who employs Clark Kent, making Batman technically Superman's boss. I find this fascinating because this is kind of what happens in the story of the Beares and Hills companies, but I digress. 
The Hills Workshop was founded by William Ebsworth Hill, 1871 to 1895. He was the son, grandson, and great grandson of violin makers. But when he founded W. E. Hills and Sons, he really took things to the next level. The man's energy was boundless. Under William's direction was the company's workshop, of course, that was producing new instruments and bow makers making bows.  They would also deal in older instruments and were well known for their quality restorations. They had a line of accessories as the workshop continued to be run by his sons, and these included rosins, cleaning polish, chin rests, shoulder rests, bridges, instrument cases, strings, little tuning pipes, peg paste, if your pegs got stuck, the pegs themselves, music stands, and the list goes on.
Whatever product pertaining to the violin you could possibly think of, the Hills made sure there was a Hills version of it.  If this sounds like a handful, then hold on to your seats, because not only was W. E. Hill a violin maker and musician, he was also interested in photography and astronomy. And let's not forget his family, because it is Hill and Sons, so he obviously had children. Nine, in fact, somewhere along the line.  But to really prove oneself as an authority in the field, what better