66 min listen
Janice Min (Editor: The Hollywood Reporter, Us Weekly, Ankler Media, more))
Janice Min (Editor: The Hollywood Reporter, Us Weekly, Ankler Media, more))
ratings:
Length:
56 minutes
Released:
May 10, 2024
Format:
Podcast episode
Description
THE HOLLYWOOD REPORTER— A good editor can, theoretically, edit any magazine, regardless of genre. But in some cases, you need an outsider to make things right. To see the forest for the trees. To that end, Janice Min has planted acres of forests—one tree at a time—on both coasts, where the Colorado-born editor considers herself an outsider.“I cared about almost none of this. I don’t care about celebrities or reality stars. It was my job to just think about how to interpret what they were saying and turn that passion into stories. I don’t think that the editors always have to be their audience, but I also think, as an editor I was able to be removed from it and glean like, ‘That pops. That’s the most important story.’”From Us Weekly, where her instincts led to a massive increase in readership that saved the floundering publication—and likely all of Wenner Media—to The Hollywood Reporter, which was in a death spiral but is now, once again, a widely-respected and well-read industry bible, Min has played a major role in creating what we now call the celebrity-industrial complex, as well as the rise of what became social media and the influencer economy. That’s all.Now, as cofounder of Ankler Media, Min is once again rethinking publishing—and celebrity. The company is centered around its newsletter, The Ankler, which bills itself as “the newsletter Hollywood loves to hate—and hates to love” and is currently one of the top three business publications on Substack.—This episode is made possible by our friends at Mountain Gazette, Commercial Type, and Lane Press.
Print Is Dead (Long Live Print!) is a production of Magazeum & MO.D ©2021–2024
Print Is Dead (Long Live Print!) is a production of Magazeum & MO.D ©2021–2024
Released:
May 10, 2024
Format:
Podcast episode
Titles in the series (55)
Kurt Andersen (Author & Editor: Spy Magazine, New York, Studio360, more): We’ve always had a thing for magazine launches. They’re filled with drama and melodrama, people behaving with passion and conviction, and people ... misbehaving. Anything to get that first issue onto the stands and into the hands of readers. Some new ventures seem to sneak in the back door. Who saw Wired or Fast Company coming? Others are to the manner born, and from the most elite print parents. But, even with that pedigree they never gain traction, never display the scrappiness and experimentation that we’ve come to expect from anything new. (You know who you are). But then, one day, along comes The Greatest Startup in the History of Magazine Startups. A magazine that dares to mercilessly, and humorously, vilify high society. The one that big time journalists pretend to ignore but were first to the newsstand each month to grab their copy. The one that created packaging conceits: Separated at Birth, Private L by Print Is Dead (Long Live Print!)