Discover this podcast and so much more

Podcasts are free to enjoy without a subscription. We also offer ebooks, audiobooks, and so much more for just $11.99/month.

Music History Monday: The Sony Walkman: A Triumph and a Tragedy!

Music History Monday: The Sony Walkman: A Triumph and a Tragedy!

FromMusic History Monday


Music History Monday: The Sony Walkman: A Triumph and a Tragedy!

FromMusic History Monday

ratings:
Length:
18 minutes
Released:
Jul 1, 2024
Format:
Podcast episode

Description

We mark the introduction on July 1, 1979 – 45 years ago today – of the Sony Walkman.  The Walkman was the first entirely portable, high-fidelity (or at least fairly high-fidelity) audio cassette player, a revolutionary device that allowed a user to listen to entire albums anywhere, anytime.  Introduced initially in Japan, the higher-ups at Sony expected to sell 5000 units a month for the first six months after its release.  Instead, they sold 30,000 units in the first month alone and then – then – sales exploded.  All told, Sony has sold over 400 million Walkmen (“Walkmans”?) in cassette, CD, mini-disc, and digital file versions, and Sony remained the market leader among portable music players until the introduction of Apple’s iPod on October 23, 2001. For Sony the Walkman was a commercial triumph.  For consumers, it was a technological game-changer.  But for humanity, taken as widely as we please, it can (and will!) be argued that the “portable music player” – or PMP – has been an unmitigated disaster, a tragedy that has served to increasingly isolate human beings from one another in a manner unique in our history. Headphones and Earbuds Growing up, my maternal grandparents lived in a pre-War apartment […]
The post Music History Monday: The Sony Walkman: A Triumph and a Tragedy! first appeared on Robert Greenberg.
Released:
Jul 1, 2024
Format:
Podcast episode

Titles in the series (100)

Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.