Henry James Collection Series

Frank Saltram is a man who apparently has a towering intellect, but one that manifests itself only in sparkling table-talk. He has a real and power gift to delight with his conversation, particularly when intoxicated, but other than conversation he produces nothing. Saltram also recognises no obligations or duties, is ungrateful and utterly unreliable, and is apparently prone to immoral acts. He lives off others, particularly the Mulvilles, who, convinced of Saltram's genius and genuinely enjoying his talk, host him for months at a time. In the opinion of the unnamed narrator, Saltram is not a deliberate conman; he simply suffers from "a want of dignity". The story revolves around Saltram and a group of people who are fascinated by him. Ruth Anvoy, a young American woman with a wealthy father, comes to Britain to visit her widowed aunt Lady Coxon. There she meets George Gravener, a man with a real intellect and a future in politics, and the two become engaged. She also meets Saltram, and is fascinated and impressed by his talk and intellect, though aware that he has shortcomings of character.

Glasses is short story by Henry James. A young woman whose only asset is a supremely beautiful face is about to make a society marriage until her fiance discovers that, being virtually blind, she needs thick glasses which ruin her looks. The anonymous narrator, a bachelor artist, visits Folkestone and sees a young woman with an astonishly beautiful face. From a friend, the widowed Mrs Meldrum who has to wear disfiguring glasses, he learns that she is Flora Saunt, an orphan. She has an admirer in Lord Iffield, heir to a country estate but not very bright. Another admirer, also well off, is Geoffrey Dawling, who is intelligent and sympathetic but not good looking. Flora agrees to sit for a portrait by the narrator, who discovers that, having little money or brain, her only goal in life is to acquire a husband. After she succeeds in getting engaged to Iffield, the narrator sees the two in a London shop where, to inspect an item, she surreptitiously uses a pince-nez. Momentarily, the beauty of her face is ruined. Revisiting Folkestone later, in the distance he sees a woman in corrective glasses who he takes to be Mrs Meldrum. In fact, to the embarrassment of both, it is Flora. Dropped by Iffield when he realised her sight was failing, she has been given a home by the kindly Mrs Meldrum. Some time later in London, the narrator attends a performance of Lohengrin. In a box, he sees a beautiful woman wearing expensive jewels who he thinks must be Flora. She points her opera glasses at him and smiles. Going up to her box and kissing her hand in greeting, he realises she is now blind. Geoffrey, her loving husband whose lack of looks she cannot see, rejoins the two.

Washington Square marks the culmination of Henry James's apprentice period as a novelist. With sharply focused attention upon just four principal characters, James provides an acute analysis of middle-class manners and behaviour in the New York of the 1870s, a period of great change in the life of the city. This change is explored through the device of setting the novel's action during the 1840s, similarly a period of considerable turbulence as the United States experienced the onset of rapid commercial and industrial expansion. Through the relationships between Austin Sloper, a celebrated physician, and his sister Lavinia Penniman, his daughter Catherine, and Catherine's suitor, Morris Townsend, James observes the contemporary scene as a site of competing styles and performances where authentic expression cannot be articulated or is subject to suppression.

Henry James's third novel is an exploration of his most powerful, perennial theme - the clash between European and American cultures, the Old World and the New. Christopher Newman, a 'self-made' American millionaire in France, falls in love with the beautiful aristocratic Claire de Bellegarde. Her family, however, taken aback by his brash American manner, rejects his proposal of marriage. When Newman discovers a guilty secret in the Bellegardes' past, he confronts a moral dilemma: Should he expose them and thus gain his revenge? James's masterly early work is at once a social comedy, a melodramatic romance and a realistic novel of manners.

An unnamed telegraphist works in the branch post office at Cocker's, a grocer in a fashionable London neighborhood. Her fiancé, a decent if unpolished man named Mr. Mudge, wants her to move to a less expensive neighborhood to save money and to be near him at all times. She refuses because she likes the glimpses of society life she gets from the telegrams at her current location. Through those telegrams, she gets "involved" with a pair of lovers named Captain Everard and Lady Bradeen. By remembering certain code numbers in the telegrams, she manages to reassure Everard at a particular crisis that their secrets are safe from detection. Later she learns from her friend Mrs. Jordan that Lady Bradeen and Everard are getting married after the recent death of Lord Bradeen. The unnamed telegraphist also learns that Everard is heavily in debt and that Lady Bradeen is forcing him to marry her, as Everard is really not interested in her. The telegraphist finally decides to marry Mudge and reflects on the unusual events of which she was a part.

First published in The Atlantic Monthly in 1871. The story was the earliest fiction that James included in the New York Edition (1907–09) of his works. Set in England, the tale shows James' strong interest in the contrast between the Old World and the New. In fact, the difference between America and Europe erupts into open conflict in the story, which leads to an ironic ending.The narrator meets fellow American Clement Searle at an old-fashioned London inn. Searle has long wanted to settle in England to escape what he considers his arid life in America. But he is physically ailing, and he's also depressed because his lawyer cannot uphold his claim to a share in a country estate currently owned by Richard Searle, a distant relation. Clement and the narrator visit the estate, where they meet the ethereal Miss Searle, who supports Clement's cause.They also meet Miss Searle's brother Richard, who is at first suspicious and then outright hostile and combative toward Clement. Upset by the conflict Clement and the narrator travel to Oxford, where they help a gentleman, Mr Rawson, down on his luck to travel to America. Clement is now very sick and sends for Miss Searle. She responds to his call and tells him that her brother has been thrown from a horse and killed. Clement might now have a real chance for a share of the estate, but the opportunity comes too late for him. He dies and is buried in the England which proved so inhospitable to him.Clement Searle is an early example of James' imaginative and sensitive protagonists who are often defeated by less fastidious adversaries. The perhaps overly blunt irony of the story is that Clement might have realized his dream of living on an English estate if his physical frailty had not betrayed him.The story shows James still in his apprentice stage. Although written in an assured and fluent manner, there are many passages of local color description that intrude rather obviously into the narrative. These passages do give substance to Clement's dream of settling and living in the England he has long idealized. Of course, Clement's creator would realize that dream by living and prospering in England for most of his adulthood. The story also plays on another common theme in James' fiction: the simultaneous allure and danger of experience. The closer Clement gets to his goal of a home in the English countryside, the sicker he becomes. James' fiction would often show imaginative characters getting near the dense, "passionate" experience they desire, only to find that such experience can be destructive as well.

The novel is an uneasy combination of social comedy and melodrama concerning the adventures and misadventures of Christopher Newman, an essentially good-hearted but rather gauche American businessman on his first tour of Europe. Newman is looking for a world different from the simple, harsh realities of 19th-century American business. He encounters both the beauty and the ugliness of Europe, and learns not to take either for granted. The core of the novel concerns Newman's courtship of a young widow from an aristocratic Parisian family. Henry James, OM (15 April 1843 – 28 February 1916) was an American writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction. James contributed significantly to literary criticism, particularly in his insistence that writers be allowed the greatest possible freedom in presenting their view of the world. James claimed that a text must first and foremost be realistic and contain a representation of life that is recognizable to its readers. Good novels, to James, show life in action and are, most importantly, interesting. In addition to his voluminous works of fiction he published articles and books of travel, biography, autobiography, and criticism, and wrote plays. James alternated between America and Europe for the first twenty years of his life; eventually he settled in England, becoming a British subject in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.

Daisy Miller, a young woman from Schenectady, New York, arrives in Switzerland with her mother and younger brother to visit her aunt. They are on holiday from the United States where her father is a successful businessman, a member of the nouveau riche. Mrs. Miller wants to try her daughter out on the European social regime which includes complex and detailed layers of conduct by which judgement is rendered on the participants. A certain amount of useful knowledge can protect an innocent from her own vulnerability. Unfortunately, Daisy is spirited but without the ability to curb her quick enthusiasm. She doesn't have the social experience to be unconventional. In Switzerland she meets 27-year-old Frederick Winterbourne who is from America but grew up and was educated in Geneva. When he and Daisy meet at the beginning of the story their behavior is spontaneous, and Winterbourne is drawn by her flirtatious ways. The tale continues as a studious consideration of Daisy through Frederick's eyes. Because he is older and differently schooled he spends his energy trying to decipher her manner and intent. He detects her unwillingness to follow the customary demeanor of other girls who match her age and social rank. Daisy meets another man, an impoverished Italian, who takes her on unescorted excursions. They are seen together and criticized for these unchaperoned situations. When Winterbourne is a witness to one of these questionable outings he steps away from any more pursuit of Daisy. She becomes ill with fever in Rome. Frederick visits her during this sickness until she dies. This narrative outlines the conflict between artifice and infatuation. This is one of Henry James most succinct and direct accounts of the interplay between social standings.

Published in 1884, Henry James short novella Pandora follows the development of a relationship between Count Otto Vogelstein and miss Pandora Day; exploring the cultural differences between Europe and the emerging United States, the rise of more spirited and socially free women, and the friction that arises with class mobility. Pandora touches on three themes that fascinated Henry during that era. First was the relationship between Europe and America, "New Woman" and social and moral tensions during the class mobility towards the end of the nineteenth century.

A ghost story by Henry James A very young woman's first job: governess for two weirdly beautiful, strangely distant, oddly silent children, Miles and Flora, at a forlorn estate...An estate haunted by a beckoning evil. Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls... But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them.

The Death of the Lion is an 1894 short story by Henry James. The narrator suggests writing an article on Neil Paraday; his new editor agrees. The former spends a week with Neil and writes the article whilst there, alongside reading Paraday's latest book. His editor rejects the article however; he decides to write an article for another newspaper, but it goes unnoticed. Neil Paraday gets excited about writing another book, despite the fact that he doesn't seem successful still. However the narrator comes across a praiseful review in The Empire. Mr Morrow, a journalist suddenly interested in writing about Neil Paraday's life now that he is successful, comes round and ends up scaring the writer; the narrator manages to see him off. He tells Mr Morrow all there is to know about Paraday is in his work; the journalist is not amused. Later, he publishes an article on Neil's house in the Tatler. Embracing his fame, Paraday takes to going to London luncheons with women.

The Portrait of a Lady is a novel by Henry James, first published as a serial in The Atlantic Monthly and Macmillan's Magazine in 1880–81 and then as a book in 1881. It is one of James's most popular long novels, and is regarded by critics as one of his finest. The Portrait of a Lady is the story of a spirited young American woman, Isabel Archer, who in "affronting her destiny", finds it overwhelming. She inherits a large amount of money and subsequently becomes the victim of Machiavellian scheming by two American expatriates. Like many of James's novels, it is set in Europe, mostly England and Italy. Generally regarded as the masterpiece of James's early period, this novel reflects James's continuing interest in the differences between the New World and the Old, often to the detriment of the former. It also treats in a profound way the themes of personal freedom, responsibility, and betrayal. James's first idea for The Portrait of a Lady was simple: a young American woman affronting her destiny, whatever it might be. Only then did he begin to form a plot to bring out the character of his central figure. This was the uncompromising story of the free-spirited Isabel losing her freedom—despite (or because of) suddenly coming into a great deal of money—and getting "ground in the very mill of the conventional”. It is a rather existentialist novel, as Isabel is very committed to living with the consequences of her choice with integrity but also a sort of stubbornness. Henry James, OM (15 April 1843 – 28 February 1916) was an American writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction. James contributed significantly to literary criticism, particularly in his insistence that writers be allowed the greatest possible freedom in presenting their view of the world. James claimed that a text must first and foremost be realistic and contain a representation of life that is recognizable to its readers. Good novels, to James, show life in action and are, most importantly, interesting. In addition to his voluminous works of fiction he published articles and books of travel, biography, autobiography, and criticism, and wrote plays. James alternated between America and Europe for the first twenty years of his life; eventually he settled in England, becoming a British subject in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.

This novel tells the story of Milly Theale, an American heiress stricken with a serious disease, and her effect on the people around her. Some of these people befriend Milly with honorable motives, while others are more self-interested. The Wings of the Dove has one of the strongest critical positions of any of James' works, although James himself sometimes expressed dissatisfaction with it. In his preface to the New York Edition, James spent much time confessing to supposed faults in the novel: defective structure, characters not as well presented as they could be, and a general failure to realize his initial plan for the book. By and large, critics have regarded these faults as venial or nonexistent. Instead, they have concentrated on the central characters and supporting cast, and the technique that James uses in their presentation. In 1998, the Modern Library ranked The Wings of the Dove 26th on its list of the 100 best English-language novels of the 20th century. Henry James, OM (15 April 1843 – 28 February 1916) was an American writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction. James contributed significantly to literary criticism, particularly in his insistence that writers be allowed the greatest possible freedom in presenting their view of the world. James claimed that a text must first and foremost be realistic and contain a representation of life that is recognizable to its readers. Good novels, to James, show life in action and are, most importantly, interesting. In addition to his voluminous works of fiction he published articles and books of travel, biography, autobiography, and criticism, and wrote plays. James alternated between America and Europe for the first twenty years of his life; eventually he settled in England, becoming a British subject in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.

The Aspern Papers is a novella written by Henry James, originally published in The Atlantic Monthly in 1888, with its first book publication later in the same year. One of James' best-known and most acclaimed longer tales, The Aspern Papers is based on the letters Percy Bysshe Shelley wrote to Mary Shelley's stepsister, Claire Clairmont, who saved them until she died. Set in Venice, The Aspern Papers demonstrates James' ability to generate suspense while never neglecting the development of his characters. Henry James, OM (15 April 1843 – 28 February 1916) was an American writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction. James contributed significantly to literary criticism, particularly in his insistence that writers be allowed the greatest possible freedom in presenting their view of the world. James claimed that a text must first and foremost be realistic and contain a representation of life that is recognizable to its readers. Good novels, to James, show life in action and are, most importantly, interesting. In addition to his voluminous works of fiction he published articles and books of travel, biography, autobiography, and criticism, and wrote plays. James alternated between America and Europe for the first twenty years of his life; eventually he settled in England, becoming a British subject in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.  

Returning to Florence after 25 years of military service, a man finds himself haunted by memories of a thwarted love affair that took place on the banks of the Arno during his youth. On inquiring after the erstwhile object of his affections, he encounters a young man in amorous pursuit of her daughter. Eager to spare his young friend the sorrow that has marred his own life, the man finds himself deliberating the morality of recounting his own story. This heartbreaking tale touches on themes that were to dominate Henry James's later fiction, including the suggestibility of youth and the dubious morality of influence. With characteristic psychological insight and a youthful fluency of expression, even in his early work James demonstrates himself a master of the art of fiction. James, OM, son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born author, one of the founders and leaders of a school of realism in fiction. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting.

The novel follows middle-aged Lambert Strether as he is dispatched from Massachusetts to Paris by his wealthy fiancée to rescue her son, Chad Newsome, from the corrupting influences of Europe and its wicked women. Once the mild-mannered and inexperienced Strether arrives in Paris, however, Chad introduces him to a world that he finds refined and sophisticated, rather than debauched and base. Mrs. Newsome, waiting in Massachusetts, grows impatient and sends more ambassadors to retrieve her wayward men. But Strether has become especially enchanted by Chad’s female friends Madame de Vionnet and her daughter, Jeanne, and he begins to wonder if, all his life, he has missed out on what the wider world has to offer. “Live all you can; it’s a mistake not to,” he tells a friend in one of the most memorable scenes in this darkly comic, masterfully written story of liberation, self-discovery, and the meaning of living well.

"The Altar of the Dead" is a short story by Henry James, first published in his collection Terminations in 1895. A fable of literally life and death significance, the story explores how the protagonist tries to keep the remembrance of his dead friends, to save them from being forgotten entirely in the rush of everyday events. He meets a woman who shares his ideals, only to find that the past places what seems to be an impassable barrier between them. Although James was not religious in any conventional sense, the story shows a deep spirituality in its treatment of mortality and the transcendent power of unselfish love. Henry James, OM (15 April 1843 – 28 February 1916) was an American writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction. James contributed significantly to literary criticism, particularly in his insistence that writers be allowed the greatest possible freedom in presenting their view of the world. James claimed that a text must first and foremost be realistic and contain a representation of life that is recognizable to its readers. Good novels, to James, show life in action and are, most importantly, interesting. In addition to his voluminous works of fiction he published articles and books of travel, biography, autobiography, and criticism, and wrote plays. James alternated between America and Europe for the first twenty years of his life; eventually he settled in England, becoming a British subject in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.

This bittersweet tragicomedy centers on an odd triangle of characters: Basil Ransom, a political conservative from Mississippi; Olive Chancellor, Ransom's cousin and a Boston feminist; and Verena Tarrant, a pretty, young protégée of Olive's in the feminist movement. The storyline concerns the struggle between Ransom and Olive for Verena's allegiance and affection, though the novel also includes a wide panorama of political activists, newspaper people, and quirky eccentrics. Henry James is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction.

When a beautiful, spoilt, aristocratic woman with revolutionary ambitions meets an idealistic young proletarian conspirator who dreams of a better life, the stage is set for The Princess Casamassima in which Henry James explores the London underworld and the political unrest seething there in the later nineteenth century. In the end, Christina Light’s waywardness proves fatal for the fancifully named Hyacinth Robinson, but not before the typically Jamesian encounter of instinct and intelligence has been explored in all its tragi-comic potential.

The novel is an eerie account of time travel and a bittersweet comedy of manners. A young American trades places with a remote ancestor in early 19th century England, and encounters many complications in his new surroundings. Young Ralph Pendrel of New York City has written a fine essay on the reading of history. The essay so impresses a distant English relative that he bequeaths an 18th-century London house to Ralph. Pendrel goes to London and explores the house thoroughly. He feels himself going back in time as soon as he crosses the threshold. He finds a portrait of a remote ancestor, also named Ralph Pendrel. The portrait comes alive and the two men meet.

The short story is usually referred to as a novella and is told in the first person. The narrator, whose name is never revealed, meets his favorite author and becomes obsessed with discovering the secret meaning or intention within the entire author's works. Henry James, OM (15 April 1843 – 28 February 1916) was an American writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction. James contributed significantly to literary criticism, particularly in his insistence that writers be allowed the greatest possible freedom in presenting their view of the world. James claimed that a text must first and foremost be realistic and contain a representation of life that is recognizable to its readers. Good novels, to James, show life in action and are, most importantly, interesting. In addition to his voluminous works of fiction he published articles and books of travel, biography, autobiography, and criticism, and wrote plays. James alternated between America and Europe for the first twenty years of his life; eventually he settled in England, becoming a British subject in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.

Washington Square is a short novel by Henry James. Originally published in 1880 as a serial in Cornhill Magazine and Harper's New Monthly Magazine, it is a structurally simple tragicomedy that recounts the conflict between a dull but sweet daughter and her brilliant, unemotional father. The plot of the novel is based upon a true story told to James by his close friend, British actress Fanny Kemble. The book is often compared with Jane Austen's work for the clarity and grace of its prose and its intense focus on family relationships. James was hardly a great admirer of Jane Austen, so he might not have regarded the comparison as flattering. In fact, James was not a great fan of Washington Square itself. He tried to read it over for inclusion in the New York Edition of his fiction (1907–1909) but found that he could not, and the novel was not included. Other readers, though, have sufficiently enjoyed the book to make it one of the more popular works of the Jamesian canon. Henry James, OM (15 April 1843 – 28 February 1916) was an American writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction. James contributed significantly to literary criticism, particularly in his insistence that writers be allowed the greatest possible freedom in presenting their view of the world. James claimed that a text must first and foremost be realistic and contain a representation of life that is recognizable to its readers. Good novels, to James, show life in action and are, most importantly, interesting. In addition to his voluminous works of fiction he published articles and books of travel, biography, autobiography, and criticism, and wrote plays. James alternated between America and Europe for the first twenty years of his life; eventually he settled in England, becoming a British subject in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.

Four Meetings, A Bundle of Letters, Louisa Pallant, The Liar, The Real Thing, The Pupil, Brooksmith, The Middle Years, The Altar of the Dead, Europe, The Great Good Place, The Tree of Knowledge, The Tone of Time, Mrs. Medwin, The Birthplace, The Beast in the Jungle, The Jolly Corner. Henry James, OM, son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born author, one of the founders and leaders of a school of realism in fiction. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting. James insisted that writers in Great Britain and America should be allowed the greatest freedom possible in presenting their view of the world, as French authors were. His imaginative use of point of view, interior monologue and unreliable narrators in his own novels and tales brought a new depth and interest to realistic fiction, and foreshadowed the modernist work of the twentieth century. An extraordinarily productive writer, in addition to his voluminous works of fiction he published articles and books of travel writing, biography, autobiography, and criticism, and wrote plays, some of which were performed during his lifetime with moderate success. His theatrical work is thought to have profoundly influenced his later novels and tales.

This short novel is a black comedy about fame, manipulation, pretension, and surviving it all. The narrator, a reprehensible and seedy journalist, sets out to interview a minor author, and in his own quest for glory, turns the author into the celebrity of the day. The sudden and untimely death of the author, with his latest work unfinished, presents a troubling dilemma for the narrator, which he resolves with no more conscience than he had when he began his quest. Henry James, OM, son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born author, one of the founders and leaders of a school of realism in fiction. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting. James insisted that writers in Great Britain and America should be allowed the greatest freedom possible in presenting their view of the world, as French authors were. His imaginative use of point of view, interior monologue and unreliable narrators in his own novels and tales brought a new depth and interest to realistic fiction, and foreshadowed the modernist work of the twentieth century. An extraordinarily productive writer, in addition to his voluminous works of fiction he published articles and books of travel writing, biography, autobiography, and criticism,and wrote plays, some of which were performed during his lifetime with moderate success. His theatrical work is thought to have profoundly influenced his later novels and tales.

What Maisie Knew is a novel by Henry James, first published as a serial in the Chap-Book and (revised and abridged) in the New Review in 1897 and then as a book later that year. It tells the story of the sensitive daughter of divorced, irresponsible parents. The book is also a masterly technical achievement by James, as it follows the title character from earliest childhood to precocious maturity. What Maisie Knew has attained a fairly strong critical position in the Jamesian canon. Edmund Wilson was one of many critics who admired both the book's technical proficiency and its judgment of a negligent and damaged society. When Wilson recommended What Maisie Knew to Vladimir Nabokov, the author of Lolita, Nabokov said he thought the book was terrible. F.R. Leavis, on the other hand, declared the book to be "perfection." The psychoanalytic critic Neil Hertz has argued for a parallel between James' narrative voice and the problem of transference in Freud's Dora case. Henry James, OM (15 April 1843 – 28 February 1916) was an American writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction. James contributed significantly to literary criticism, particularly in his insistence that writers be allowed the greatest possible freedom in presenting their view of the world. James claimed that a text must first and foremost be realistic and contain a representation of life that is recognizable to its readers. Good novels, to James, show life in action and are, most importantly, interesting. In addition to his voluminous works of fiction he published articles and books of travel, biography, autobiography, and criticism, and wrote plays. James alternated between America and Europe for the first twenty years of his life; eventually he settled in England, becoming a British subject in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.

Henry James puts the gimlet eye on an actress and a painter, and the passions they arouse among friends and possible lovers. He also finds inspiration in a character suggested by Oscar Wilde in what scholar Leon Edel calls a witty and sophisticated novel. Henry James, OM, son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born author, one of the founders and leaders of a school of realism in fiction. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting. James insisted that writers in Great Britain and America should be allowed the greatest freedom possible in presenting their view of the world, as French authors were. His imaginative use of point of view, interior monologue and unreliable narrators in his own novels and tales brought a new depth and interest to realistic fiction, and foreshadowed the modernist work of the twentieth century. An extraordinarily productive writer, in addition to his voluminous works of fiction he published articles and books of travel writing, biography, autobiography, and criticism,and wrote plays, some of which were performed during his lifetime with moderate success. His theatrical work is thought to have profoundly influenced his later novels and tales.

Originally conceived as a brief, light story about the complications created in her family's social set by a young girl coming of age, the novel expanded into a general treatment of decadence and corruption in English fin de siècle life. James presents the novel almost entirely in dialogue, an experiment that adds to the immediacy of the scenes but also creates serious ambiguities about characters and their motives. Henry James, OM (15 April 1843 – 28 February 1916) was an American writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction. James contributed significantly to literary criticism, particularly in his insistence that writers be allowed the greatest possible freedom in presenting their view of the world. James claimed that a text must first and foremost be realistic and contain a representation of life that is recognizable to its readers. Good novels, to James, show life in action and are, most importantly, interesting. In addition to his voluminous works of fiction he published articles and books of travel, biography, autobiography, and criticism, and wrote plays. James alternated between America and Europe for the first twenty years of his life; eventually he settled in England, becoming a British subject in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.

“When you lay down a proposition which is forthwith controverted, it is of course optional with you to take up the cudgels in its defence. If you are deeply convinced of its truth, you will perhaps be content to leave it to take care of itself; or, at all events, you will not go out of your way to push its fortunes; for you will reflect that in the long run an opinion often borrows credit from the forbearance of its patrons. In the long run, we say; it will meanwhile cost you an occasional pang to see your cherished theory turned into a football by the critics. A football is not, as such, a very respectable object, and the more numerous the players, the more ridiculous it becomes. Unless, therefore, you are very confident of your ability to rescue it from the chaos of kicks, you will best consult its interests by not mingling in the game.” Henry James, OM, son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born author, one of the founders and leaders of a school of realism in fiction. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting. James insisted that writers in Great Britain and America should be allowed the greatest freedom possible in presenting their view of the world, as French authors were. His imaginative use of point of view, interior monologue and unreliable narrators in his own novels and tales brought a new depth and interest to realistic fiction, and foreshadowed the modernist work of the twentieth century. An extraordinarily productive writer, in addition to his voluminous works of fiction he published articles and books of travel writing, biography, autobiography, and criticism,and wrote plays, some of which were performed during his lifetime with moderate success. His theatrical work is thought to have profoundly influenced his later novels and tales.

The narrator speculates upon the relationships between house guests at a weekend party. The Sacred Fount is a curiously intimate revelation of Henry James’ interests and methods. Henry James, OM, son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born author, one of the founders and leaders of a school of realism in fiction. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting. James insisted that writers in Great Britain and America should be allowed the greatest freedom possible in presenting their view of the world, as French authors were. His imaginative use of point of view, interior monologue and unreliable narrators in his own novels and tales brought a new depth and interest to realistic fiction, and foreshadowed the modernist work of the twentieth century. An extraordinarily productive writer, in addition to his voluminous works of fiction he published articles and books of travel writing, biography, autobiography, and criticism,and wrote plays, some of which were performed during his lifetime with moderate success. His theatrical work is thought to have profoundly influenced his later novels and tales.

This long story centers on an unnamed London telegrapher. She deciphers clues to her clients' personal lives from the often cryptic telegrams they submit to her as she sits in the "cage" at the post office. Sensitive and intelligent, the telegrapher eventually finds out more than she may want to know. Henry James, OM (15 April 1843 – 28 February 1916) was an American writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction. James contributed significantly to literary criticism, particularly in his insistence that writers be allowed the greatest possible freedom in presenting their view of the world. James claimed that a text must first and foremost be realistic and contain a representation of life that is recognizable to its readers. Good novels, to James, show life in action and are, most importantly, interesting. In addition to his voluminous works of fiction he published articles and books of travel, biography, autobiography, and criticism, and wrote plays. James alternated between America and Europe for the first twenty years of his life; eventually he settled in England, becoming a British subject in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.